Dailymaverick logo

South Africa

This article is more than a year old

PHOTO ESSAY

All their world’s a stage – visually impaired youngsters take message of inclusivity to National Arts Festival

The Stories We See brings together visually impaired and abled actors to challenge the way the public sees people with disabilities, using sound, song, movement, dance, personal narratives and storytelling to create a powerful message of inclusivity.
All their world’s a stage – visually impaired youngsters take message of inclusivity to National Arts Festival Thanda Masuku at a dress rehearsal for the play about the challenges visually impaired people face daily. (Photo: Alet Pretorius)

The Stories We See, performed by young people from the Johannesburg Society for the Blind (JSB) and Johannesburg Child Welfare (JCW), navigates the challenges that visually impaired people face daily, using sound, song, movement, dance, personal narratives and storytelling.

Abled actors use various sounds to communicate with the visually impaired actors. By working together they embody the message of inclusivity. The play uses personal narratives from the actors to challenge the way the public sees people with disabilities.

Palesa Louw, one of the visually impaired actors who has been with the play since April, says that being in a play with other visually impaired actors feels normal and gives her confidence. “At least I am not the only one.” She says people can be too sensitive sometimes about interacting with people with disabilities, and the play makes them realise that “these people are just like us”.

Sibusiso Lukhele rehearses. The Stories We See is performed by youth of The Johannesburg<br>Society for the Blind (JSB) and Johannesburg Child Welfare<br>(JCW) and navigates through challenges that visually impaired<br>people go through daily with sound, song, movement, dance, personal narratives and storytelling. Photo: Alet Pretorius
Sibusiso Lukhele rehearses for 'The Stories We See'. (Photo: Alet Pretorius)

While the stories take us to different environments, such as public transport and church, the play also travels through physical spaces as the audience follows.

It was performed on 17 June at JSB to raise funds for its festival run. Their first performance at the National Arts Festival will be on 27 July at 4pm, in the AMAZWI Storytelling Amphitheatre. The group has a BackaBuddy campaign to raise funds to make their way to Grahamstown.

The Stories We See is directed by community theatre social activist Gcebile Dlamini, who creates work with the elderly, young people and people living with disabilities. 

Bonga Noswili dances freely. The play uses personal narratives from the actors to challenge the way the public sees people with disabilites. Photo:  Alet Pretorius
Bonga Noswili dances in the play, which uses personal narratives from the actors to challenge the way the public sees people with disabilities. (Photo: Alet Pretorius)

Dlamini recognises the need for people with disabilities to have a creative outlet, “not just to raise visibility, but to express themselves and to claim their dignity, attention, safety and positions in communities”.

The JSB is an NPO that caters for blind and partially sighted persons in Johannesburg. It was founded in 1926 to help civilians who were blinded during World War 1. The centre provides accommodation, employment, rehabilitation, orientation, mobility and skills for daily living to the blind. It is at 159 North Road, Roseacre.

JCW is based in the Johannesburg CBD, at the Old Drill Hall building. The programme falls under the Child Abuse Treatment and Training Services. Its objective is to reduce poverty and inequality by generating employment among poor households into sustainable livelihoods and towards economic stability. DM

Precious Kalinde leads Sibusiso Lukhele through a hallway during the rehearsal. The JSB is an NPO that caters for blind and partially sighted<br>persons in Johannesburg. It was founded in 1926 to help civilians<br>who were blinded during World War I. The centre provides<br>accommodation, employment, rehabilitation, orientation,<br>mobility and skills of daily living to the blind. It is situated at 159<br>North Road, Roseacre. Photo:  Alet Pretorius
Precious Kalinde leads Sibusiso Lukhele through a hallway in rehearsal. (Photo: Alet Pretorius)
Thanda Masuku at a dress rehearsal for the play about the challenges visually impaired people face daily. (Photo:  Alet Pretorius)
Thanda Masuku at a dress rehearsal. (Photo: Alet Pretorius)
Busisiwe Ncube assists Lwazi Tsotetsi during the rehearsal. Dlamini recognises the need for people with<br>disabilities to have a creative outlet &quot;Not just to raise visibility but<br>to express themselves and to claim their dignity, attention, safety<br>and positions in communities." Photo:  Alet Pretorius
Busisiwe Ncube assists Lwazi Tsotetsi during the rehearsal. (Photo: Alet Pretorius)
‘The Stories We See’ will have its first performance at the National Arts Festival on 27 July. (Photo: Alet Pretorius)
‘The Stories We See’ will have its first performance at the National Arts Festival on 27 July. (Photo: Alet Pretorius)
A beam of light falls on Lindiwe Bovula in a hallway during a dress rehearsal The group has a BackaBuddy<br>campaign to raise funds to make their way to Makhanda. “The Stories We See” is directed by community theatre social activist, Gcebile Dlamini. She creates work with the elderly, young people and people living<br>with disabilities. Photo:  Alet Pretorius
A beam of light falls on Lindiwe Bovula in a hallway during a dress rehearsal. (Photo: Alet Pretorius)
Busisiwe Ncube and Philire Skhosana rehearse together. The play was performed this Saturday (16 June) at JSC to raise<br>funds for their festival run. Their 1st performance at the National<br>Arts Festival will be on July 27 at 16.00 at the AMAZWI Storytelling Amphitheatre. Photo:  Alet Pretorius
Busisiwe Ncube and Philire Skhosana rehearse together. (Photo: Alet Pretorius)
The shadow of an actor on a metal door.While the stories take us to different environments like public<br>transport and the church, the play also travels through physical<br>spaces while the audience follows. Photo:  Alet Pretorius
While the stories take us to different environments, such as public transport and church, the play also travels through physical spaces as the audience follows. (Photo: Alet Pretorius)
A blurry image of actors during their rehearsals. Some of the actors are partially sighted. Photo:  Alet Pretorius
Some of the actors are partially sighted. (Photo: Alet Pretorius)
Palesa Louw, one of the visually impaired actors who has been<br>with the play from April and shares her story in the play, says that<br>being in a play with other visually impaired actors feels normal<br>and gives her confidence “At least I am not the only one”. She says<br>that people can sometimes be too sensitive about interacting with<br>people with disabilities and that the play makes them realise that<br>“these people are just like us.” Photo:  Alet Pretorius
Palesa Louw, one of the visually impaired actors who has been with the play from April and shares her story in the play, says that being in a play with other visually impaired actors feels normal and gives her confidence. (Photo: Alet Pretorius) 

Comments (0)

Scroll down to load comments...