Catching this underwater beast, fabled to be “bigger than Table Mountain”, tantalisingly promises to provide the richest reward the submariners have ever pulled from the ocean. The only problem is… it’s the one that continuously gets away. Bigger torpedoes, steelier nerves and tastier bait are all needed, none of which bodes well for our duped duo.
Get Kraken is on the family fringe programme, which means it’s suitable for your kids. I’m no expert on the small people, but I’d imagine the fast-paced banter would probably engage those upwards of nine or 10.
There’s a big difference, though, between suitable for kids and made for kids. Jon Keevy’s script had that nuanced referential range of humour that gives difference access points for different age groups. It certainly had me feeling like a kid in a candy store for the entire hour. (In fact, there was only one of the smaller humans in our show and I giggled even more than she did).
Part of the joy comes form the fact that the story is told through a cartoon-style narrative that has performers mixing up roles, supplying plenty of sound effects and employing film techniques (think ‘zooming out’ where, on stage, life size characters suddenly become finger puppets running along outstretched arms). I’m hard-pressed to decide whether the high point of this production was director Kim Kerfoot’s inventiveness, writer Keevy’s word play or the actors’ physicality and sustained energy levels.
Get Kraken reminded me of what fun it is to sit and be told a tale… certainly, in this case, by four grown men who are gleeful as little boys. To be fair, it’s the kind of fun that’s only borne of very hard work and meticulous blocking. I would say that the group’s high octane hijinks came across like seeing boys with their toys… but only if their toys included meticulously-honed voice work, expertly synchronised group movement, smoothly-executed physical tricks and a story that keeps you on the edge of your seat. It obviously helps that each of the four actors is both an individually gifted performer and able to work generously as a collectively smooth story machine.
So will our friendly fishermen escape the clutches of the bait hook? Will The Kraken fall prey to the submariners’ fishy plot? What is a Russian cosmonaut doing inside a whale? Go and find out at City Hall 4 this week. You don’t even need to have a small human in tow. Promise. DM
Get Kraken – Stephen Erasmus, Jason Potgieter, Shaun Acker, Dylan Esback, Kim Kerfoot (director). City Hall 4 on 1 October 13:00; 2 October 9:00; 3 October 2014 11:00; 5 October 11:00. Book: Cape Town Fringe
Watch Pauli van Wyk’s Cat Play The Piano Here!
No, not really. But now that we have your attention, we wanted to tell you a little bit about what happened at SARS.
Tom Moyane and his cronies bequeathed South Africa with a R48-billion tax shortfall, as of February 2018. It's the only thing that grew under Moyane's tenure... the year before, the hole had been R30.7-billion. And to fund those shortfalls, you know who has to cough up? You - the South African taxpayer.
It was the sterling work of a team of investigative journalists, Scorpio’s Pauli van Wyk and Marianne Thamm along with our great friends at amaBhungane, that caused the SARS capturers to be finally flushed out of the system. Moyane, Makwakwa… the lot of them... gone.
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