Ilze Wolff, director at Wolff Architects, is the award-winning author of Unstitching Rex Trueform: the story of an African factory, a study following “the narrative of the site from the date of completion of the first factory in 1938 up until conversion of the site into an office park in 2013”. The site is Rex Trueform, a building that was constructed over 80 years ago as manufacturing factory in Cape Town. A decade after its erection, as the company grew, another building was added to the factory. Incorporated in the building plans for both, were segregation policies that were yet to be made into law by the apartheid regime that would come to define South African life in the second half of the 20th Century.
On Monday 11 February 2019, the 1948 building was classified as a provincial heritage site. “The Rex Trueform building is a building that I always passed as a student, it literally caught my attention because it has such a presence on Main road (Salt river). I have family that worked there, my aunties and uncles, my grandparents also worked at other factories like Rex Trueform. I was intrigued by its presence on Main Road, as well as the presence it has in people’s social imagination,” says Wolff.
When she started studying towards a degree in Heritage and Public Culture, that fascination led her to study the building and “write its biography”. Initially she wrote it as a thesis, and later expanded into a book that went on to win the L’erma di Bretschneider C International Prize for scholarly works in Modern and Contemporary Art. Here is her story intertwined with Rex Trueform, 263 Victoria Road, Salt River, Cape Town. ML
1938: First building by architect Max Policansky
1944: Much of the building was burnt in a fire
1944: Rebuilt and extended by architects Andrews & Niegeman
1948: A second factory building is built across the road from the initial building by Andrews & Niegeman
1963: An extension is added to the 1948 building
"Censorship of anything at any time in any place on whatever pretence has always been and always will be the last resort of the boob and the bigot." ~ Eugene O'Neill