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The Pope Francis puffer coat was fake – here’s a history of real papal fashion

The Pope Francis puffer coat was fake – here’s a history of real papal fashion
The AI-generated images of Pope Francis that fooled much of the internet. Image: Reddit / Created by Midjourney

Popes wear white to represent Christlike purity and red to symbolise compassion.

Before news of his hospitalisation for a respiratory infection this week, a fake image of Pope Francis wearing a Balenciaga-style white puffer jacket was posted to Reddit and Twitter. The image – created through AI programme Midjourney – had many viewers fooled into believing that the head of the Catholic church had dramatically updated his style.

As an art historian and an ecclesiastical historian, the image has fascinated me, not least in thinking about the rich history of papal fashion.

First of all, it caught my eye because it looks like shot silk (fabric made of silk woven from two or more colours producing an iridescent appearance). Intentionally or not, it’s a nice nod to the fascia, a sash worn by clerics over their cassock. This detail hints at the way papal dress and indeed the attire of many people in formal positions works. It not usually just about the shape and colour, but also the quality or materials used.

Being the pope is a bit like dressing for a wedding every day: even as a guest you wouldn’t turn up in your denims. You honour your hosts by wearing the best you possibly can.

The palette of the Pope

In the 21st century, popes have increasingly worn only white, now generally identified as the papal colour. But red is also a pope hue of choice – for example, John Paul II (1920-2005) usually wore white, but he also wore red capes and cloaks.

Benedict XVI (1927-2022) brought back the camauro – nicknamed the “Santa hat” – which is a red silk and velvet cap trimmed with ermine reserved for the pope’s use. The camauro goes back to at least the 12th century when it was related more closely to philosophers and teachers and the hat they wore, known as a pileus.

Pope Gregory the Great (c. 540–604), in a painting by Carlo Saraceni (c. 1610). Image: National Gallery of Ancient Art, Rome

Pope Gregory the Great (c. 540–604), in a painting by Carlo Saraceni (c. 1610). Image: National Gallery of Ancient Art, Rome

Historically, portraits of senators, lawyers and academics often show them wearing red which is used to communicate a message of “official”.

Cardinals, the most senior clerics in the Roman Catholic Church next to the pope, wear red precisely because it is a papal colour and their power (or more accurately, influence) derives entirely from the pope.

Pope Paul II (1417-1471) tried to ensure quality over quantity when, amid shortages, he officially reserved the very best red dye for himself and his cardinals.

The fashionista pope and the art or craft of AI images

As a result of the fall of Constantinople to the Ottoman Turks in 1453, trade from the eastern Mediterranean was disrupted. This meant that the supply of red dye kermes – which derives from the galls produced by parasitic wasps on oak trees indigenous to the Mediterranean basin and eastern Continent – was severely curtailed.

It was not until the middle of the 16th century that cochineal – which comes from parasitic insects on prickly pear cactuses – became available in Europe because of Spanish and Portuguese expansion into South America.

Whatever the dye, papal quality is also communicated by fabrics which hold unparalleled depths of hue: silk, not cotton or linen, alpaca not ordinary wool.

VATICAN CITY, VATICAN - MARCH 13: Newly elected Pope Francis I appears on the central balcony of St Peter's Basilica on March 13, 2013 in Vatican City, Vatican. Argentinian Cardinal Jorge Mario Bergoglio was elected as the 266th Pontiff and will lead the world's 1.2 billion Catholics. (Photo by Peter Macdiarmid/Getty Images)

Newly elected Pope Francis I appears on the central balcony of St Peter’s Basilica on March 13, 2013 in Vatican City, Vatican. Image: Peter Macdiarmid/Getty Images

VATICAN CITY, VATICAN - JANUARY 06: Pope Francis attends a Mass for the feast of the Epiphany at St. Peter's Basilica on January 06, 2023 in Vatican City, Vatican. (Photo by Christopher Furlong/Getty Images)

Pope Francis attends a Mass for the feast of the Epiphany at St. Peter’s Basilica on January 06, 2023 in Vatican City, Vatican. Image: Christopher Furlong/Getty Images

Pope Francis waves as he arrives on his popemobile to lead his weekly audience in St. Peter's Square at the Vatican, on Wednesday, March 29, 2023. Francis was hospitalized with a pulmonary infection after having difficulty breathing and will remain in treatment for several days, the Vatican said. Photographer: Alessia Pierdomenico/Bloomberg via Getty Images

Pope Francis waves as he arrives on his popemobile to lead his weekly audience in St. Peter’s Square at the Vatican, on Wednesday, March 29, 2023. Image: Alessia Pierdomenico/Bloomberg via Getty Images

Historians know from 13th century sources that popes have always worn white next to their skin (though from at least the 15th century their socks have been red).

White represents Christlike purity, innocence and charity, while red symbolises compassion and the pope’s willingness to sacrifice himself for his people.

In ancient Rome, red was the colour of imperial power whereas white was associated specifically with the city. So, the papal colours represent the pope’s universal significance as head of the Catholic church as well as his local position as Bishop of Rome.

Popes can also wear blue – Pope Nicholas V (1997-1455) particularly liked this colour. John Paul II, on one of his famous hiking trips, wore his white cassock under a padded blue jacket.

For papal fashion purposes, blue can stand in for red. In penitential seasons (Advent and Lent) or during periods of mourning, bright colours are not appropriate. But dip your bright red silks in a final dye bath of indigo and you get peacock (pavonazzo) which has the iridescence of the bird’s feathers.

Someone with the social conscience of Pope Francis I probably doesn’t give two hoots about what he wears. But as a Jesuit – one of the most highly educated, intellectual and thoughtful of all the groups in the Roman Catholic Church – he would understand the values of continuity and devotion communicated by both what he wears and how he wears it. I would like to imagine, as he recovers from his respiratory infection, that he would be cheered up by high-tech mashups, such as this image of himself in a puffer coat – so long as they play within the rules of such a dignified man in such a venerable office. DM/ML 

This story was first published in The Conversation. 

Carol Richardson is a Professor of Early Modern Art History, History of Art at the University of Edinburgh.

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