South Africa

Saartjie Baartman: Lebo Mashile brings her story to life – a life relevant today

By Aphiwe Ngalo & Hlumela Dyantyi 23 February 2018

“We keep coming back to Saartjie because so many issues intersect in this one woman’s life: slavery, colonialism, sex trafficking, the line between performance art and selling the body and sex,” said Lebo Mashile in an interview. By APHIWE NGALO and HLUMELA DYANTYI.

There is a reason why black women artists keep coming back to Saartjie Baartman. She is the archetype for black female representation issues,” says South African poet, performer and writer Lebo Mashile.

She is premiering her workshopped production, Saartjie vs Venus, which she also stars in, at the 2018 Design Indaba on Friday night (23 February) at the Artscape theatre in Cape Town.

The lived experiences of Saartjie Baartman mirror the lived experiences of black women today. Saartjie was sold into slavery in the 18th century and moved to Cape Town. She was later moved to london. Baartman’s large buttocks and dark skin made her the object of fascination for the colonial Europeans. Baartman was exhibited for entertainment purposes while her “owner” reaped financial benefits from her body. Baartman’s life may be years apart from that of black women today but, to some extent, her life is not too far removed from today’s reality.

Explaining why she decided to work on this piece, Mashile said during an interview in between rehearsals: “We keep coming back to Saartjie because so many issues intersect in this one woman’s life: slavery, colonialism, sex trafficking, the line between performance art and selling the body and sex. These issues are still relevant today.”

Mashile cites these challenges, along with the constant erasure and exploitation she has witnessed and been victim to, as what has better equipped her to tell Baartman’s story.

Being at the peak of your fame and having your voice erased, that is what fame is, that is what it does, it has done this to Beyonce, it has done this to me.”

She goes on to say that, “Fame does this particularly to black women, this is my experience, this is also Ann Masina’s experience.”

Masina plays the role of Venus, which was Baartman’s stage name. “I have never seen anyone react to a person’s body the way I’ve seen people react to Ann. I have seen truck drivers almost hit their cars, driving into poles, looking at Ann. I have seen children turn around, like people breaking their necks, to look at Ann. People touch her involuntarily.”

It was Mashile’s and Masina’s similar experiences as plus-size women, mothers, travellers and artists that led to them working together. Mashile realised that she had found her Venus to her Saartjie.

Lebo Mashile is a celebrated South African poet, actress, speaker, performer and activist.

The opening of Saartjie vs Venus on Friday night is a 45-minute snippet of what is to become a bigger production on Baartman’s life. DM

Lebo Mashile and Ann Masina on stage for the final dress rehearsal ahead of the Design Indaba opening of Saartjie vs Venus on Friday evening. Photo: Daily Maverick


Support DAILY MAVERICK & get FREE UBER vouchers every month

An increasingly rare commodity, quality independent journalism costs money, though not nearly as much as its absence can cost global community. No country can live and prosper without truth - that's why it matters.

Every Daily Maverick article and every Scorpio exposé is proof of our dedication to this unshakeable mission. Investing in our news media is by far the most effective investment into South Africa's future.

You can support Independent and Investigative journalism by joining Maverick Insider. If you contribute R150 or more per month you will receive R100 back in UBER vouchers. EVERY MONTH until October 2019.

So, if you'd like to help and do something meaningful for yourself and your country, then sign up to become a Maverick Insider. Together we can Defend Truth.

Treasury Probe 3

Report tracks amazing growth of Eskom finance boss Anoj Singh’s bank account

By Ferial Haffajee

Game publisher Electronic Arts has been voted "The Worst Company in America" two years in a row 2012 and 2013.